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Writing Prompts, Prompt Writings

I’m doing it.

Here I am on the first day of NaNoWriMo — National Novel Writing Month — tapping away in a WordPress window. I am writing. Or, should I say, I #amwriting?

I don’t have to write a novel. But that’s what a lot of other writers are doing this month. The goal for most is to log 50,000 words, enough for a novel, by the end of the November. According to my tweetails, I already spend 28 hours every month JUST WRITING TWEETS (on average 33 per day). So 50,000 words should be a breeze, right?

So anyhow. Here are five more words. And another three. This isn’t unfolding how I thought it would. On the other hand, I am writing. And that’s the hardest part about NaNoWriMo: doing the work. While some people hate the whole process, I’ve always sat on the sidelines during November wishing I’d gotten my act together in time to participate. I appreciate that NaNoWriMo inspires writers and would-be novelists to try harder, instilling in them the importance of daily practice.

Keyboard practice

I recently signed my son up for piano lessons at his school. During the meeting in which parents and students met the music instructors, one of the piano teachers played Claude Debussy’s Arabesque No. 1, a song my son knows thanks to a playlist of lullabies he has listened to at bedtime since he was a baby.

After the first lesson, my son came home and, instead of working on the songs given him for practice, he attempted to play the Debussy piece. “You have to practice the easy stuff first before you can play like that,” I said in a rare moment of wisdom. As I heard these words come out of my mouth, it was easy to take the mental leap from piano playing to writing.

Practice. Practice every day. Practice when you don’t want to and practice when you do want to. Practice even though it’s going to take a long time for you to sound the way you want to sound. It’s the only way you can get from here to there.

I have a list of several writers whose work I regularly read. The immediacy and casual back-and-forth of social media make it feel like these writers are my peers. And they are! In almost every sense of the word. But then their words glimmer on the page where mine just seem to take up space. It’s The Gap that Ira Glass talked about, that chasm between taste and skill that is hard to overcome until you take the first step towards bringing them together.

This month, I do not plan to write a novel. It has taken me writing this post, working through the words, to confirm that I am not ready to write a novel. But I am ready to practice.

Each day this month, I plan to practice in the hopes that I will make daily writing a habit. I already write daily as part of my freelancing jobs (with multiple Ss), but a lot of that feels, frankly, phoned in.

I can do better.

This month, I want to write every day. But that doesn’t mean that I will publish something every day. Perhaps I’ll keep much of my work to myself in a Google doc or Evernote note or Scrivener project. I also like the idea of using each day to do the other chores of writing: editing pieces that are almost ready; reading more books and articles that nourish my brain and give me a feel for language rather than ones that raise my frustrations; pitching a piece or two. How can I expect to play Debussy (i.e., write a novel) if I haven’t worked on the basics yet? Why not try to write a 4,000-word long form article before writing a 50,000-word book?

I am writing this post for personal motivation. If you’ve gotten this far, perhaps I have motivated you, too.

This whole NaNoWriMo is not going to be easy. This is going to be a slog. But I owe it to myself to try.

Have I mentioned that I am writing?

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Welcome to New York

With the release of her new album “1989” and single “Welcome to New York,” Taylor Swift has crossed over from being a poster girl for Nashville to being a welcome ambassador for New York City.

NYC Tourism Ambassador Taylor Swift Standing On an NYC Roof

NYC Tourism Ambassador Taylor Swift Standing On an NYC Roof

Many in New York are calling this a questionable choice, as T.S. is a newcomer. In Swift’s defense, that’s kind of what ambassadors do. An ambassador is “a diplomatic official of the highest rank sent…on a temporary mission.” Swift is one of the world’s best-selling artists of all time. Plus, one of the great things about New York is that it’s a big salad bowl full of people from all different cultures and places, including the South (or, in Swift’s case, Tennessee by way of Pennsylvania).

I love Taylor Swift. I find her music infectious. Welcome to New York continues in that tradition. But her lyrics game has really dropped off!

Where’s the descriptive prose, as found in tracks like “Tim McGraw,” “You Belong With Me,” or even “22”? The Nashville Songwriters Association (NSA) gave Swift her sixth Songwriter of the Year award in 2013–a record. I can’t imagine Swift will win any songwriting awards, much less inspire people to come to New York City, with these lyrics:

(An aside to those of you who are not Taylor Swift: You think New York is waiting for you? Have you ever paused for a second in the bagel line or on the sidewalk? New York City’s not waiting for anybody!)

NSA vs. NYC

Not only that, but Swift’s “Welcome to New York” is so bland, so void of anything that makes me think of New York–save for the word “village”–that I have to wonder if the New York City Taylor Swift is talking about is the same one I have visited (and fell in love with) on numerous occasions. Oh yeah, it isn’t.

“Welcome to New York” just reminds me of how watered down New York City: The Brand has become. It is the Bubba Gump Shrimp Factory in Times Square of New York songs, while “Empire State of Mind” and (reaching way back) “New York, New York” are the hitting a grand slam in Yankee Stadium (or even Citi Field, if you must) and coming out for a curtain call of New York songs.

With Taylor Swift flush with money, it’s doubtful she’ll ever have to high-tail it out of the Big Apple because she just couldn’t hack it. It’s unlikely that Taylor will pen any Goodbye to All That songs, as she will never need to break up with New York City. And that’s too bad because breakup songs are what Taylor does best.

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Inside Ireland’s Mount Melleray

Monks at Ireland's Mount Melleray

“When you are very young, you think old people must feel inside as old as they appear on the outside. But as you move towards agedness yourself, you realise that this is entirely wrong. People remain young on the inside, no matter how old they appear. The idea of ‘old’ people is therefore a misapprehension of our culture, which sees the split instant of a human lifetime as something elongated, divided into decades and years, persistently defined by a number. But there are no ‘old people’. Everyone is young. The only clue you have about this is your own journey as a subjective intelligence looking out. You wait for a change to descend, some radical shift of thinking which will fit with your balding head or wrinkling face. But it doesn’t come: you get giddier and more childish.”

via Inside Mount Melleray: ‘The world as you know it is passing away’ – Independent.ie.